Michael Brynntrup Movies

The joint high mess of 80s German underground: An exercise in exquisite corps (and in some cases probably also automatic writing) for which artists...

It's not about how a drag queen moves, it's what she sets in motion.

The original is in motion. The identity is being denied. On the very first take I wanted to pose naked in front of the camera. But I guess I didn't...

Captures the violence and tenderness, alongside the dominance and submission, that is found in a single, intimate embrace.

Between an overgrown West Berlin graveyard and a desolate stretch of land under communist rule, there is a supposedly dead no-man's land. - Around...

Safe sex in the 70ies. Bigger than life in 35mm. All you can eat in 5 minutes.

Totenkopf (The Skull), highest elevation of the 'Kaiserstuhl' (557m). - Kaiserstuhl, upper Rhineland mountains with terminal moraine (30m high). -...

For better or for worse... Provisions, while things are still working. (first TV commercial for a german undertaker)

As said. - A film like its title.

In his short film VERONIKA (VERA IKON) experimental filmmaker Michael Brynntrup takes the biblical prohibition of images literally

Rests and tests from the inquiry into prototypes. Formal proofs through pregnant experiments on one's own body.

My apartment has a nice lay-out. There are a lot of paintings on the walls. I have a big carpet, too.

Trailer to »The Deathstrip - A German Film«: a melodrama, an incident, a location survey. (Contribution No.36 to the Super8 trailer show...

Women piss too - only less.

My first video take, - a film, that rhymes between the lines.

WALK / DON'T WALK / WALK. The rhythm of the nineties. A tribute to the vital New York drag scene and the "electronic" 90's that is also a remembrance...

Applause: the echo of a platitude. (Ambrose Bierce)

The city, the traffic jam, and the trashcan, - a post-painterly music clip.

The title of this film isn't -as is mistakenly assumed- 'Moving Pictures for the Movement Disabled'. ... an educational training film.

Rhythm in the age of its digital producability - an oscilloscope loosely based on Eadweard Muybridge.